![]() That should give you enough of an idea of the chaos and insanity that is this movie. That's a short summation of half of the trailer. ![]() Solomon exercises in his basement with bundles of taped together silverware as his mother tap dances behind him in his dead father's old tap shoes. ![]() Tummler discovers breast cancer in an abandoned car. Bunny Boy stands in the middle of the road. A golden hearted mentally retarded woman smiles to the camera. Now to a tennis playing Ritalin users gulping down some water after smashing some tennis balls while being admired by some local girls. Cut to Solomon chatting with his newly found prostitute with Downs Syndrome having his cherry scented soap smell admired and being informed that he will be a millionaire they confess their love to one another. Cut to Tummler, gazing at where his dad is sitting in the driver's seat with the look of depression written all over his face his brother loves Roy Orbison and is not transitioning into a woman, he has moved away Tummler has turned to a life of huffing glue. Cut to a no-toed, Patrick Swayze loving albino on the hood of a car and then to a malnourished pale boy making a muscle, displaying his strength. If one joint is good, why not smoke ten?” Throughout, Moondog is propped up by a cast of helpful enablers, including Flicker (Zac Efron), a fellow addict sporting a beard that looks like a panini Minnie (Isla Fisher), his ever-patient wife Lingerie (Snoop Dogg), whose joy revolves around procuring Jamaica’s highest-grade marijuana and Lewis, his literary agent, played by Jonah Hill with an impressively terrible Southern accent.The trailer kicks off blasting the intro to Madonna's "Like A Prayer," with two Jehovah Witness twin brothers spitting into the lens of the camera, switching to the lovely Chloë Sevigny, sans-eyebrows, pulling her bleach blonde hair back in slow motion with black taped up nipples in order to make them "puffier." Cut to Solomon, Red Ryder strapped to his back that he uses to hunt feral cats in order to sell the meat to a local butcher for a dollar a pound, cruising down a long hill in Xenia, Ohio. “If something feels good, he just does it over and over again. “His character is a sensualist,” Korine says. Thompson and that obnoxious close-talking drunk at the bar who wants to be your best friend for him, carpe diem means breaking out of a rehab clinic to return to the inebriated ramble that is his life. The Beach Bum, which opens on March 29, tells the story of Moondog (McConnaughey), a privileged, bohemian poet who hangs out with Jimmy Buffet and divides his time between the dives of the Florida Keys and a mansion on Miami’s Star Island. “I never liked the idea of limiting it to some type of audience that ‘gets it.’” “However radical the perception of the work is, I always want it to come out in the most mainstream way possible,” Korine says. Like 2012’s Spring Breakers, the new film is a mindfuck of disparate styles, tones, and expectations, one that almost invites wildly off-kilter misreadings. ![]() But whereas his latest paintings are eerily vacant-mostly empty, nighttime spaces, populated only by dogs and imaginary creatures- The Beach Bum captures the strange human pageant that calls that landscape home. Korine doesn’t love drawing comparisons between his visual art and his films, but does note certain links between “Young Twitchy” and a movie like The Beach Bum-“tone, color, location, the kind of psychogeography of the world” among them. HARMONY KORINE, Twitchy we are one, 2018, Oil on canvas, 60 1/4 x 49 1/2 in, 153 x 125.7 cm.
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